​Ahmed, S, Castaneda C, Fortier, AM and Sheller, M (eds.) (2003). Uprootings/regroundings: questions of home and migration. Oxford: Berg.

Alahdadi, N and Razaghi, M (2018) “Investigation of lifestyle and identity changes of Khorramabad Residents in Iran, Journal of Humanities Insights 2(1), p51-59.

Almond, D (2016) “Darren Almond interview: the landscape of the night, Louisiana Channel. [online]. Available at: https://www.youtube.com/watch?v=6pAb37usNr0

Amorim, MA, Brice, I and Mohammed, J (2006) “Embodied spatial transformations: ‘body analogy’ for the mental rotation,” Journal of Experimental Psychology General, 135 (3), 327-347.

Anagnostou, Y (2009) Contours of white ethnicity: popular ethnography and the making of usable pasts in Greek America. Columbus: University of Ohio Press.

Anderson, J and Leister, W (2019) “Pro-photographic gestures,”Journal of Photography and Culture, 11 (2): 229-235. Available at: https://www.tandfonline.com/doi/abs/10.1080/17514517.2018.1502971?scroll=top&needAccess=true&journalCode=rfpc20

Anderson, J and Leister, W (2019b) “The theatre of photography: an interdisciplinary duologue,” Sens Public, January. [online]. Available at: https://www.researchgate.net/publication/341414961_The_Theatre_of_Photography_an_interdisciplinary_duologue

Andrews, T (2011) “On Robert Adams's new west landscapes,” Environmental History, 16 (4), 701–714.

Appleton, J (1996) The experience of landscape. New York: Wiley.

Asia Art Archive (2020) Catching moonbeams in water (Video Stills), [online]. Available at: http://www.aaa.org.hk/Collection/CollectionOnline/Details/29990. [Accessed 2 February 2020].

Asliman (2019) The panchatantra. [online]. Available at: https://www.pitt.edu/~dash/panchatantra.html

Auge, M (1995) Non-Places: introduction to an anthropology of supermodernity, Howe, J (trans,). London: Verso.

Avci, EK, İbret, BU and Serpil Recepoğlu, S (2017) “Geography and identity.” [online]. Available at: https://www.researchgate.net/publication/321703704

Azoulay, A (2019) Unlearning imperialism [online]. Available at: https://www.artandeducation.net/classroom/video/310820/ariella-asha-azoulay-potential-history-unlearning-imperialism [Accessed 20 October 2020].

Bachelard, G (1969) The poetics of space. Boston: Beacon Press.

Badger, G (2007) The genius of photography. Quadrille Publishing Ltd.

Baltz (L) 2010, The prototype works, Steidl, The Art Institute of Chicago.

Barth, U (2000) “In between places,” in Barth, U, Conkelton, S and Russell F (eds.), Henry Art Gallery, Seattle, WA.

Barthes, R (1977) Camera lucida, Howard, R (trans.). Berkeley: University of California Press.

Barthes, R (1978) Death of the author, Heath, S (trans.). New York: Farrar, Straus and Giroux

Barthes, R (1980) Camera lucida: reflections on photography, Howard R (trans.). New York: Hill & Wang.

Batchen, G (1999) in Squiers, C (ed.). Over exposed: essays on contemporary photography. New York: New Press.

Batchen, G (2002) Each wild idea: writing, photography, history. Cambridge: MIT Press.

Batchen, G (2009) Photography degree zero: reflections on Roland Barthes's Camera Lucida. Cambridge: MIT Press.

Batchen, G (2016) Emanations: the art of the cameraless photograph, DelMonico Books-Prestel.

Baudrilliard, J (1994) Simulacra and simulation, Glaser, S (trans.), University of Michigan Press, Ann Arbor.

Baumeister, R, Dale, K and Sommer, K (1998) “Freudian defense mechanisms and empirical findings in modern social psychology: reaction formation, projection, displacement, undoing, isolation, sublimation, and denial,” Journal of Personality, 66 (6).  

Baumeister, R and Leary (M) 1995, The need to belong: desire for interpersonal attachments as a fundamental human motivation. The American Psychological Association .

Bauret, G (2005) Color photography, New York: Assouline Publishing

BBC (2016) “Migrant crisis: migration to Europe explained in seven charts,” https://www.bbc.com/news/world-europe-34131911

Beasly, M (2006) “Walid raad/The Atlas Group.” [online]. Available at: https://www.frieze.com/article/walid-raadthe-atlas-group#:~:text=Established%20by%20artist%20Walid%20Raad,the%20contemporary%20history%20of%20Lebanon

Beatty, W (2017) “Contemporary photographic landscape practices and the affective gaze,” PhD dissertation, Deakin University, Geelong, Australia.

Beidler, KJ,, and Morrison, JM (2016) “Sense of place: inquiry and application,”

Journal of Urbanism: International Research on Placemaking and Urban Sustainability, 9 (3). [online]. Available at: https://www.tandfonline.com/doi/abs/10.1080/17549175.2015.1056210

Bell, MM (1997) “The ghosts of place,” Theory and Society, 26, 813-836

Benjamin, W (1968) “The work of art in the age of mechanical reproduction,” in Illuminations, Zohn, H (trans.). New York: Schocken Books .

Benson P, Barkhuizen, G, Bodycott, P and Brown, J (2013) Second language identity in narratives of study abroad/ Palgrave MacMillan, UK.

Berger, S and Nehring, H (2020) “The history of social movements,” Palgrave Studies in the History of Social Movements. [online]. Available at: https://www.palgrave.com/gp/campaigns/social-movements/history-of-social-movements

Bigg, MM (2019) New exhibition space in venice explores the experience of refugees,” UNHCR. [online]. Available at: https://www.unhcr.org/news/latest/2019/5/5cd68f304/new-exhibition-venice-explores-experience-refugees.html

Blalock, L (2014) “Drawing machine,” Foam Magazine, no. 38. [online]. Available at: https://issuu.com/foam-magazine/docs/08-081_underconstruction_issuu_elis

Blunt, A., Bonnerjee, J., Lipman, C., Long, J., and Paynter, F. (2007). My home: text, space and performance. Cultural Geographies 14 (2), p.309-320.

Blunt, A and Dowling, R (2006). Home. London: Routledge.

Boeeti, A (1989) Map of the world, Museum of Modern Art. [online]. Available at: https://www.moma.org/collection/works/80620

Bolton, R (ed.) 1992) Contest of meaning: critical histories of photography. Cambridge: MIT Press.

Bonde, JP (2008) The Lisbon Treaty, the readable version, IND/DEM Group in the European Parliament, Foundation for EU Democracy, Denmark[O10] .

Bonestell (2020) Bonestell - home [online]. Available at: http://www.bonestell.org [Accessed 2 February 2020].

Boym, S (2001) The future of nostalgia. New York: Basic Books.

Bozovic, M in Josenhans, FV (ed.), Artists in exile: expressions of loss and hope. New Haven: Yale University Art Gallery, p87.

Bradley J, Kort, W, Casey E and Schatzki, T (2011) The place of landscape: concepts, contexts, studies. Cambridge: MIT Press.

Breuer, M (nd) “Pushing the boundaries of photography,”SFMOMA channel. [online]. Available at: https://www.sfmoma.org/artist/marco_breuer/

Bright, D (1993) “Of mother nature and Marlboro men: an inquiry into the cultural meanings of landscape photography, in Bolton, R (ed.) The contest of meaning. Cambridge: MIT Press, p125-143.

Bright, S (2011) Art photography now. New York: Thames & Hudson

British Council “Our history,” British Council, Greece. [online]. Available at: https://www.britishcouncil.gr/en/about/history

Brook, I (2000) “can ‘spirit of place’ be a guide to ethical building,” in Fox, W (ed.), Ethics and the Built Environment. London: Routledge, London, p139-151.

Brooks, D (2001) Bobos in paradise: the new upper class and how they got there. New York: Simon & Schuster.

Brown, DS, Venturi, R and Steven Izenour, S (1972) Learning from Las Vegas. Cambridge: MIT Press.

Burke, P (1991) “On microhistory,” in Levi, G ed., Cambridge: Polity Press, p254

Burgin, V (2009) Situational aesthetics: selected writings, Streitberger, A (ed.). Leuven, Belgium: Leuven University Press, p140-143.

Burgin, V (2015) “Prairie,” [online]. Available at: https://humanities.uchicago.edu/calendar/details/CAL-ff808081-4f7d601b-014f-81f09d08-00005c05eventscalendar%2540uchicago.edu.

Buscher, DF, Baldwin, JE, Warner, PJ and Haniff, CA (1990) Detection of a bright feature on the surface of Betelgeuse, Monthly Notices of the Royal Astronomical Society, 245, 7.

Buttimer, A and Seamon, D (1980) The human experience of space and place. New York: St Martin’s Press.

Calder, Winty (1981) Beyond the View, Our Changing Landscapes Melbourne, Inkata Press.

Campbell, CJ (2018) “Space, place and scale: human geography and spatial history, Past and Present, 239 (1), e23–e45. [online]. Available at: https://doi.org/10.1093/pastj/gtw006

Chaikin, A (2018) “Who took the legendary earthrise photo from Apollo 8?” Smithsonian Magazine [online]. https://www.smithsonianmag.com/science-nature/who-took-legendary-earthrise-photo-apollo-8-180967505/

Chen, K-H and Morley, D (2006) Stuart Hall: critical dialogues in cultural studies. Abingdon, Oxfordshire: Routledge.

Cheng, W (2011) “New Topographics: locating epistemological concerns in the American landscape,” American Quarterly, 63 (1), p151–62.

Christensen, AD and Jensen, SQ (2011) “Roots and routes: migration, belonging and everyday life,”Aalborg University, Aalborg, Denmark.

Clarke, G (1997) The photograph. Oxford: Oxford University Press.

Clarke, L (2016) How expats cope with losing their identity, British Broadcasting Corporation. https://www.bbc.com/worklife/article/20161104-how-expats-cope-with-losing-their-identity. Retrieved 30 January 2020.

Clemens, MA, Montenegro, CE and Pritchett, L (2018). “Bounding the price equivalent of migration barriers,” The Review of Economics and Statistics, Forthcoming.

Clifford, J (1997). Routes: travel and translation in the late twentieth century. Cambridge: Harvard University Press.

Cosgrove, D (1998) Social formation and symbolic landscape. Madison: University of Wisconsin Press.

Cotton, C (2004) The photograph as contemporary art. New York: Thames & Hudson.

Cotton, C (2009) The photograph as contemporary Art, 2nd edn. London: Thames & Hudson.

Cotton, C (2015) Photography is magi.c New York: Aperture.

Couturier, E (2012) Talk about contemporary photography. Paris: Flammarion.

Craver, HT (2011) “The negative church of modernity: Siegfried Kracauer, secularization, and cultural crisis in Weimar Germany, PhD dissertation, University of Toronto, Toronto Canada.

Cresswell, T (2004) Place: a short introduction. Oxford: Blackwell Publishing.

Cresswell, T (2006) On the move: mobility in the modern western world. Routledge. https://doi.org/10.4324/9780203446713

Cross, JE ( 2001) “What is sense of place?” [online]. Available at: https://www.researchgate.net/publication/282980896_What_is_Sense_of_Place

Crowley, D and Heyer, P (2018) Communication in history: technology, culture, society. London: Routledge.

Ćurčić, S, Johnson, M, Joseph, Ousterhout, R. & Papalexandrou, A (2012) Approaches to Byzantine architecture and its decoration: studies in honor of Slobodan Ćurčić. London: Routledge.

Cureton, P (2017) Strategies for landscape representation digital and analogue techniques. London: Routledge.

Dagnall, R (2017) “Landscape photography and the imaginary of an Australian gothic,” PhD dissertation, RMIT, Melbourne, Australia.

Danopoulos, CP and Karpathakis, A (2005) “Racial and ethnic attitudes and individual relatedness among Greek-Americans,” SJSU ScholarWorks. [online]. Available at: https://scholarworks.sjsu.edu/cgi/viewcontent.cgi?article=1005&context=pols_pub

Danto, A (2013) What art is. New Haven: Yale University Press.

Datar website, [online]. Available at: http://missionphoto.datar.gouv.fr/en

Daum, P (2006) Impressionist camera: pictorial photography in Europe, 1888-1918. London: Merrell.

Day, C (2002) Spirit & place, Elsevier, Oxford. [online]. Available at: https://www.amazon.com/Spirit-Place-Christopher-February-2002/dp/B009MLADEQ

De Certeau, M (1984) Practices of everyday life, Rendall, S (trans.). Berkeley: University of California Press.

Denissen, JJA, Butalid, L, Penke, L, van Aken, MAG (2008) “The effects of weather on daily mood: a multilevel approach, PubMed. [online]. Available at: https://pubmed.ncbi.nlm.nih.gov/18837616/

Descartes R, (1644) Principia philosophiæ (Picot, C, trans.). apud Ludovicum Elzevirium.

Devi, D (2017) “Why is the blues called the blues?” Huffpost [online]. Available at: https://www.huffpost.com/entry/blues-music-history_b_2399330?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAKeYCITaYhlabjDeTIqr6HYej0h-TCMuNB4oCO0WYSP0jOT0GLRVKcPpuQdhdJmgRoWI-980KDl8bAgPy2xN-UaOF5gUnIdul4eq6R_lP-QjPFFSnyy14t7VoIiCl-K9zPBVvZLPRSncnJg_wQE76XSZxadqRoNhkksgoluaE8Ux

Douglass, B and Moustakas, C (1985) “Heuristic inquiry: the internal search to know,” Journal of Humanistic Psychology, 25, p39-55.

Dovey, K (1985) “Home and homelessness: introduction, ” in

Altman, I, and Werner,CM (eds.), Home environments: human behavior and environment. Advances in theory and research. Vol 8. New York: Plenum Press.

Du, H (2015) “Place attachment and belonging among educated young migrants and returnees: the case of Chaohu, China,” [online]. Wiley Online Library (wileyonlinelibrary.com) DOI: 10.1002/psp.1967

Easthope, H (2009). “Fixed identities in a mobile world? The relationship between mobility, place, and identity,” Identities: Global Studies in Culture and Power, 16, p61-82.

Eisen, E (2018) “The work of art in the age of xerox reproduction,” The New Inquiry. [online]. Available at: https://thenewinquiry.com/blog/the-work-of-art-in-the-age-of-xerox-reproduction/#:~:text=March%20of%202018%20marked%20the,medium%20between%201966%20and%201986.

Elkins, J (2007) “Camera dolorosa,” History of Photography, 31(1), p22–30.

Ellis, A (2017) “How NASA visualizes stunning worlds without really seeing them,” Wired Magazine, [online]. https://www.wired.com/2017/04/nasa-visualizes-stunning-worlds-without-really-seeing/

Europa (2020) “Free movement of workers,” European Parliament.” [online]. Available at: https://www.europarl.europa.eu/factsheets/en/sheet/41/free-movement-of-workers

Evans, D (2005) From Lacan to Darwin. Evanston, IL: Northwestern University Press.

Fang, H and Zhang, M (2018) “Creatism: a deep-learning photographer capable of creating professional work. [online]. Available at: https://arxiv.org/abs/1707.0349

Farnum, J and Kruger, L (2005) “Sense of place in natural resource recreation and tourism: an evaluation and assessment of research findings,” USDA Forest Service – General Technical Report PNW. [online]. Available at: https://www.researchgate.net/publication/237773566_Sense_of_Place_In_Natural_Resource_Recreation_and_Tourism_An_Evaluation_and_Assessment_of_Research_Findings

Feder (2006) Theodore Levitt, 81, who coined the term 'globalization', is dead, New York Times. [online]. Available at: https://www.nytimes.com/2006/07/06/business/06levitt.html

Fink, M, Bolwig, TG, Parker, G and Shorter, E (2007) “Melancholia: restoration in psychiatric classification recommended,” Acta Psychiatr Scand, 115(2), p89–92. [online]. Available at: doi: 10.1111/j.1600-0447.2006.00943.x

Firpo, P, Alexander, L and Katayanagi, C (1978) Copyart: the first complete guide to the copy machine. New York: Marek Publishers.

Flusser, V (1991) “The gesture of photographing,” in Gesten Düsseldorf and Bensheim: Bollmann[O23] .

Flusser, V (2000) Towards a philosophy of photography. London: Reaktion books, [1983].

Flynn, M. (2007). “Reconstructing 'home/lands' in the Russian Federation: Migrant-centred perspectives of displacement and resettlement,” Journal of Ethnic and Migration Studies, 33(3), p461-481.

Fontcuberta, J (2006) “Landscapes without memory.” [online]. Available at: https://aperture.org/exhibition/landscapes-without-memory-photographs-joan-fontcuberta-parallel-memories-photographs-bruno rosier/#:~:text=In%20Landscapes%20without%20Memory%2C%20an,based%20on%20two%2Ddimensional%20sources.

Fontcuberta, J (2011) artnnews.org. [online]. Available at: http://[O24] [O25] 

Foucault, M (1986) "Of Other Spaces," Diacritics, 16, p22-27. [online]. Available at: https://web.mit.edu/allanmc/www/foucault1.pdf

Foucault, M (1994) The order of things. New York: Vintage

Fried, M (1998) Art and objecthood: essays and reviews, Chicago: University of Chicago Press.

Fried, M (2009) Why photography matters as art as never before. New Haven: Yale University Press.

Friedman (T) 2004, “Globalization 3.0 has shrunk the world,” Yale online [online]. Available at: https://yaleglobal.yale.edu/content/globalization-30-has-shrunk-world

Flusser, V (1983) Towards a philosophy of photography. London: Reaktion books.

Fontcuberta, J (2011) arnnews[O26] .org. [online]. Available at: http://www.artnews.org/gallery.php? i=1792&exi=24630

Foster-Rice, G and Rohrbach, J (2010) Reframing the new topographics. Chicago: University of Chicago Press.

From here on (2011) Atelier de la mécanique. [online]. Available at: https://www.rencontres-arles.com/en/expositions/view/638/from-here-on

Galanopoulos, Y (2011) Function, values and messages of the GSP. Germany: Green Verlag.

Gallagher, S and Meltzoff, A (1996) “The earliest sense of self and others: Merleau‐Ponty and recent developmental studies,” Journal of Philosophical Psychology, 9 (2), p211-233.

Gansky, A (2010) “Examinations of projected freedom: photography and the spaces of the American west,” submission for Thompson Award for Western American Writing [online]. Available at: https://www.centerwest.org/wpcontent/uploads/2011/01/firstundnon2010.pdf

Garone, E (2014) “Expat culture shock boomerangs in the office,” British Broadcasting Corporation. Retrieved 30 January 2020.

Gaw, KF (2000) “Reverse culture shock in students returning from overseas,” International Journal of Intercultural Relations, 24 (1), 83-104. [online]. Available at: https://www.sciencedirect.com/science/article/abs/pii/S0147176799000243

Gessen (M) 2005, Two babushkas., USA : Bloomsbury Publishing

Ghirri, L (2016) Bazalgette, B, Shore, M, Mack, M and Scott, I. (eds.), The complete essays, 1973-1991. London: MACK.

Giblett, R, and Tolonen, J (2012) Photography and landscape. UK: Intellect Books,.

Giuliani, M-V (2003) “Theory of attachment and place attachment,” in Psychological Theories for Environmental Issues, Bonnes M, Lee T and Bonaiuto M (eds.), Ashgate, Aldershot, p137–170.

Giuliani, M-V, Ferrara, F and Barabotti, S (2003) “One attachment or more?” in People, Places, and Sustainability, Moser G, Pol E, Bernard Y, Bonnes M, Corraliza JA and Giuliani V (eds.). Hogrefe & Huber, Germany.

Gladfelter, G (2001) “beyond individualism: toward a new understanding of self, relationship, and experience [online]. Available at: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3330660/, 284–285,[Accessed 2 October 2020].

\Goldschmidt, W (1977) “Anthropology and the coming crisis: an autoethnographic appraisal,” American Anthropologist, 79, p293–308.

Gorman-Murray, A and Dowling, R (2007). “Home,” M/C Journal, 10(4). [online]. Available at: https://doi.org/10.5204/mcj.2679; https://journal.media-culture.org.au/mcjournal/article/view/2679

Govett-Brewster Gallery (2016) “Emanations: the art of the cameraless photograph, Govett-Brewster Art Gallery, New Plymouth, New Zealand. [online]. Available at: https://govettbrewster.com/news/2016/6/new-publication-emanations-the-art-of-the-camerale

Grierson, E and Brearley, L (2009) Creative arts research: narratives of methodologies and practices. Rotterdam: Sense.

Grierson, J (1966) Grierson on documentary, introduction by Forsyth Hardy. London: Collins.

Griswold (2020) “Plato on rhetoric and poetry,” Stanford Encyclopedia of Philosophy. [online]. Available at: https://plato.stanford.edu/entries/plato-rhetoric/

Groĭs, B (2018) Russian cosmism. Cambridge: MIT Press.

Guardian, The (2018) “The Syrian crisis – through artists' eyes.” [online]. Available at: https://www.theguardian.com/artanddesign/gallery/2018/nov/10/the-syrian-crisis-through-artists-eyes

Guggenheim Abu Dhabi (2020) Seeing Through Light [online]. Available at: http://www.saadiyatculturaldistrict.ae/en/cultural-programme/exhibitions/Seeing-Through-Light/. [Accessed 1 February 2020].

Gunning, T (2008) “What’s the point of an index? or, faking photographs,” Nordicom Review, 25(1-2). [online]. Available at:

https://content.sciendo.com/view/journals/nor/25/1-2/article-p39.xml?language=en

Gursky, A (1998) Andreas Gursky: photographs from 1984 to the present. Munich: Schirmer/Mosel.

Gursky, A (2018) “Andreas Gursky on the photograph that changed everything: 'It was pure intuition,'” The Guardian 2018. [online]. Available at: https://www.theguardian.com/artanddesign/2018/jan/18/andreas-gursky-each-photograph-is-a-world-of-its-own-best-photograph-salerno-harbour

Gustafson, P (2001) “Roots and routes: exploring the relationship between place attachment and place mobility,” Environment and Behavior, 33 (5), p667–686. [online]. Available at: https://doi.org/10.1177/00139160121973188

Gustafson, P (2006) “Place attachment and mobility.” [online]. Available at: DOI: 10.1079/9780845931202.0017

Gustafson, P (2006b) “Place attachment and mobility,” in McIntyre N, Williams DR and McHugh K (eds.),Multiple dwelling and tourism: negotiating place, home and identity. Wallingford, UK: CAB International.

Habermas, J (2001) “Modernity: an unfinished project,” in Malpas S (ed.), Postmodern debates. New York: Palgrave, 2001, p37-52.

Hagerty, BM, Williams, RA, Coyne, JC and Early, MR (1996) “Sense of belonging and indicators of social and psychological functioning, Arch Psychiatr Nurs, 10(4), 235-244. [online]. Available at: https://pubmed.ncbi.nlm.nih.gov/8799050/; https://www.psychiatricnursing.org/article/S0883-9417(96)80029-X/pdf

Haigh, M (2018) Global citizenship and internationalisation of the curriculum: implications for learning and teachers. Oxford: Oxford Brookes University.

Hall, S (1996) “The question of cultural identity,” in Hall, S, Held, D, Hubert, D and Thompson, K (eds.), Modernity: an introduction to modern societies. Oxford: Blackwell Publishers.

Haniff, CA, Mackay, CD, Titterington, DJ, Sivia, D, et al. (1987) “The first images from optical aperture synthesis,” Nature Journal, 328 (6132), p694

Hanna, B (2003) Regendering landscape)” unpublished report for the Cultural Heritage Division NPWS, Hurstville, NPWS.

Hannah, R and Magli, G (2009) “The role of the sun in the Pantheon’s design and meaning. [online]. Available at: https://arxiv.org/vc/arxiv/papers/0910/0910.0128v1.pdf

Hawkins, S (2008) “Savage visions: ethnography, photography, and local-color fiction in National Geographic, Arizona Quarterly 64 (2), p33-63. [Online ] https://doi.org/10.1353/arq.0.0001 [Accessed 9 Jul 2020].

Hayes, B (2008) Computational photography. Semantinc scholar, DOI:10.1511/2008.70.94, [Accessed 2 February 2020].

Head, L (2011) “Decentring 1788: beyond biotic nativeness. [online]. Available at: https://doi.org/10.1111/j.1745-5871.2011.00746; https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1745-5871.2011.00746.x

Hedetoft, U (2002) “Discourses and images of belonging: migrants between "new racism,” liberal nationalism and globalization,” Working Paper Series No. 5, Aalborg, Universitet, Aalborg, Denmark.

Heidegger, M (1973) “Art and Space,” Man and world, 6, 3–8. [online]. Available at: https://doi.org/10.1007/BF01252779

Heider, KG (1975) “What do people do? Dani auto-ethnography,” Journal of Anthropological Research, 31, 3–17, doi:10.1086/jar.31.1.3629504

Hellenism Net website “The Greek diaspora.” [online]. Available at: https://hellenism.net/

Henning T and Lupas, A (2014) “Origins of life: worlds meet,” Max-Planck-Gesellschaft, online https://www.mpg.de/perspectives-2014/origins-of-life

Hesiod (700 BCE) Works and days. [online]. Available at: http://www.uvm.edu/~jbailly/courses/clas21/notes/hesiodworksanddays.html

Heyla, S (2019) “Cultural consideration on online interactions, in Attrill-Smith, A, Fullwood, C, Keep, M and Kuss, DJ (eds.), The Oxford handbook of cyberpsychology. Oxford: Oxford University Press.

Higbee, L-G (2013) “New topographics and generic transformation in landscape photography of the 1970s,” Masters Thesis, Florida State University, Tallahassee, [online]. Available at: https://fsu.digital.flvc.org/islandora/object/fsu:253338/datastream/PDF/view

Higson, A (2013) “Nostalgia is not what it used to be: heritage films, nostalgia websites and contemporary consumers,” p120-142. [online]. Available at: https://doi.org/10.1080/10253866.2013.776305

Hiruy, K (2009) “Finding home far away from home: place attachment, place-identity, belonging and resettlement among African-Australians in Hobart,” Master of Environmental Management dissertation, University of Tasmania.

Hockney, D (2006) Secret knowledge: rediscovering the lost techniques of the old masters. London: Thames and Hudson.

Hofer, C (2004) Candida Höfer: architecture of absence. New York: Aperture.

Hulbert, TW (2017) “Applying the creative city: curating art in urban spaces,” in Grierson, EM (ed.), Transformations, Art and the City, Intellect[O38] , .

Hulbert, TW (2018) ”Belonging and the transient home: a socially engaged art project,” International Journal of Practice Based Humanities, 2 (1), https://docs.wixstatic.com/ugd/0d1f4b_163aab19c99d4185b26627bb7eadf458.pdf

Huremović, D (2019) “Brief history of pandemics (pandemics throughout history,” in Huremović D. (ed.) Psychiatry of Pandemics. Cham: Springer, https://doi.org/10.1007/978-3-030-15346-5_2

IAAA Lucien Rudaux Memorial Gallery (2020) IAAA Lucien Rudaux Memorial Gallery, [online], Available at: http://www.iaaa.org/gallery/rudaux/. [Accessed 2 February 2020].

ICI (2020) “Space is the place exhibition 2007–2008. [online]. Available at: https://curatorsintl.org/exhibitions/space-is-the-place

ICM[O39]  () “Global pandemics and global public health – Independent Commission on Multilateralism. [online]. Available at: https://www.ipinst.org/wp-content/uploads/2017/10/Global-Pandemics-and-Global-Public-Health1.pdf

Ihde, D (2008) “Art precedes science: or did the camera obscura invent modern science? In Schramm, H, Schwarte, L and Lazardzig, J (eds.), Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century, Walter de Gruyter[O40] .

IKSV (2020) Yedincikita: the seventh continent,” Istanbul Foundation for Culture and Arts. [online]. Available at: https://bienal.iksv.org/i/content/11060_2_PressKit_16thIstanbulBiennial.pdf

Independent Curators International (2020) Space is the place - exhibitions [online]. Available at: http://curatorsintl.org/exhibitions/space-is-the-place. [Accessed 2 February 2020].

IOM (2018) “Global migration trends.” [online]. Available at: https://www.iom.int/global-migration-trends; https://publications.iom.int/system/files/pdf/global_migration_indicators_2018.pdf

IRS (2020) “Determining alien tax status,” Internal Revenue Service. [online]. Available at: www.irs.gov

Ivanovic, M (1998) Socrates' last error. The Twentieth World Congress of Philosophy, Boston, MA.

Jackson, JB (1984) Discovering the vernacular landscape. New Haven: Yale University.

Jackson, JB (1994) A sense of place: a sense of time. New Haven: Yale University Press.

Jameson, Fredric (1991) “The cultural logic of late capitalism, from Fredric Jameson's Postmodernism, or, the cultural logic of late capitalism. Durham. NC: Duke UP. [online]. Available at: http://xroads.virginia.edu/~DRBR/JAMESON/jameson.html

Jenkins, W (1975) “Introduction,” New topographics: photographs of a man-altered landscape. Rochester, NY: George Eastman House.

Jorgensen, BS and Stedman, RC (2006) “A comparative analysis of predictors of sense of place dimensions: attachment to, dependence on, and identification with lakeshore properties,” Journal of Environmental Management, 79, 316–327. [online]. Available at: http://www.issw.ch/info/mitarbeitende/hunziker/teaching/download_mat/Jorgenson___Stedman_2006.pdf

Josenhans, F, Bozovic, M, Koerner J and Luke, M (2017) Artists in exile: expressions of loss and hope. New Haven: Yale University Press.

Jovanovic, S (2009) “Hedonism in abstract art: minimalist digital abstract photography,” Rupkatha Journal on Interdisciplinary Studies in Humanities, 1, p88-91.

Kafka, F (1954) The blue octavo notebooks. New York: Schocken Books.

Kantas, V (2014) “Unfolding the act of photography,” PhD thesis, Wimbledon College of Art, University of Surrey.

Kibbey, A (2005) Theory of the image: capitalism, contemporary film, and women. Bloomington: Indiana University Press.

Kjakegraad, MO (2019) ”News from nowhere,” Hans Alf Gallery, Copenhagen, Denmark. [online]. Available at: https://www.artland.com/exhibitions/news-from-nowhere-cb2f0c; https://mieolise.com/news/

Klein, W (nd) “Contacts – William Klein – vidéo dailymotion.” [online]. Available at: https://www.dailymotion.com/video/xem7n

Knight, D (ed.) (2000) Critical essays on Roland Barthes. New York: Hall.

Koerner, LJ (2017[O42] ) in Josenhans, FV (ed.), Artists in exile: expressions of loss and hope. New Haven: Yale University Art Gallery, p34

Kogan, TS (2015) “The enigma of photography, depiction, and copyright originality, S.J. Quinney College of Law, University of Utah, Utah Law Digital Commons. [online]. Available at: https://dc.law.utah.edu/cgi/viewcontent.cgi?article=1045&context=scholarship

Korpela, K (1992) “The issues of transformations (metamorphoses) and stability in placeidentity,” [online]. Available at: https://iaps.architexturez.net/system/files/pdf/iaps_12_1992_1_130.content.pdf

Koutonin, MR (2015) “Why are white people expats when the rest of us are immigrants?” The Guardian. [online]. Available at: https://www.theguardian.com/global-development-professionals-network/2015/mar/13/white-people-expats-immigrants-migration

Kracauer, S (1969) History: last things before the last. Oxford: Oxford University Press.

Krauss, R (1982) “Photography’s discursive space,” in Bolton, R (ed.), The contest of meaning. Cambridge: MIT Press.

Kumar, APGP, and Tee, EYJ (2017) “The relationship between wanderlust and discrete positive emotions,” British Psychological Society Annual Conference, Brighton, UK. [online]. Available at: https://www.researchgate.net/publication/317489724_The_Relationship_between_Wanderlust_and_Discrete_Positive_Emotions

Kumar G and Prisha, A (2017) “The relationship between wanderlust and discrete positive emotions, British Psychological Society Annual Conference, 2017, Brighton UK, DOI: 10.13140/RG.2.2.23896.70407

Lacan, J (2006) Ecrits: the first complete edition in English, Fink, B, Fink, H, and Grigg, R (trans.). New York: WW Norton.

Lappin, L (2015) “The soul of place: a creative writing workbook, Solace House, Palo Alto, CA,

Lavi, L (nd) “Indexicality and the depiction of time on the radicality of vanishing zone.” [online]. Available at: http://www.roikuper.com/wp-content/uploads/2015/03/vanishing_zones_liat_eng-libre-1.pdf

Lazzari, M (2012) “The role of social networking services to shape the double virtual citizenship of young immigrants in Italy,” Proceedings of the IADIS International Conference on ICT, Society and Human Beings, Portugal, January.

Leepson, M (2007) FLAG an American biography. New York: Macmillan.

Lefebvre, H (1974) Production of space. Oxford: Basil Blackwell.

Lewicka, M (2008) “Place attachment, place identity, and place memory: restoring the forgotten city past,” Journal of Environmental Psychology 28(3), p209-231.

Lewicka, M (2011) “Place attachment: how far have we come in the last 40 years?” Journal of Environmental Psychology, 31(3), p207-230.

Liberman, A (2008) “On hobos, hautboys, and other beaus,” [online]. Available at: https://blog.oup.com/2008/11/hobo/ [Accessed 2 February 2020].

Loopmans, M, Cowell, G and Oosterlynck, S (2012) “Photography, public pedagogy and the politics of place-making in post-industrial areas,” Social & Cultural Geography, 13 (7), 699-718. [online]. Available at: DOI: 10.1080/14649365.2012.723734

Louisiana Channel (2015) “Jeff Wall interview: pictures like poems, Louisiana Channel. [online]. Available at: https://www.youtube.com/watch?v=HkVSEVlqYUw

Love, T (2010) “Paper architecture, emerging urbanism realigning progressive practice with academic inquiry.” [online]. Available at: https://placesjournal.org/article/paper-architecture-emerging-urbanism/

Low, S-M and Altman, I (1992) Place attachment. New York: Springer-Verlag

Lowenthal, D (1962) “Not every prospect pleases,” Landscape, p19–23.

Lury, C (1997) Prosthetic culture: photography, memory and identity. Psychology Press

Lyotard, J (1999) Postmodern fables in postmodern debates. Readers in Cultural Criticism. Simon Malpas. Red[O45]  Globe Press.

Maarek, P and Wolfsfeld, G (2003) Political communication in a new era: a cross-national perspective. London and New York: Rutledge.

Mallett, S (2004) “Understanding home: a critical review of the literature,” The Sociological Review, 52(1), p62-89.

Malmo Museum (2020) “Migration: traces in an art collection,” October 11, 2019–February 23, 2020. [online]. Available at: https://www.e-flux.com/announcements/284716/migration-traces-in-an-art-collection/

Malpas, J (ed.) (2011) The place of landscape: concepts, contexts, studies. Cambridge: MIT Press.

Manovich, L (2001) The language of new media. Cambridge: MIT Press.

Maratzidis, N and Andoniou, G (2014) “The axis occupation and civil war: changing trends in Greek historiography, 1941-2002,” Journal of Peace Research, 41(2), p223-231.

Mars One website [online]. Available at: https://www.mars-one.com/about-mars-one [Accessed 2 February 2020].

Martin, LJ, Adams, R, Bateman, AC and Bik, HM (2015) “Evolution of the indoor biome,” Trends in Ecology & Evolution, 30(4). [online]. Available at: https://www.researchgate.net/publication/273577839; DOI: 10.1016/j.tree.2015.02.001

Maudlin, D and Vellinga, M (2014) Consuming architecture: on the occupation appropriation and interpretation of buildings. Routledge.

Mckenzie, D, Stillman, S and Gibson, J (2010) “How important is selection? Experimental vs. non-experimental measures of the income gains from migration,” Journal of the European Economic Association, 8(4), p913-945.

Mehta, R and Zhu, RJ (2009) “Blue or red? exploring the effect of color on cognitive task performances,” Science, 323(5918), 1226-1229. [online]. Available at: https://www.researchgate.net/publication/23983380_Blue_or_Red_Exploring_the_Effect_of_Color_on_Cognitive_Task_Performances

Meinig, D.W. (1979, first published 1976) “The beholding eye: ten versions of the same scene” in D.W. Meinig, J.B. Jackson et al (eds) The Interpretation of Ordinary Landscapes Oxford & New York, Oxford University Press, p.1-9. http://blogs.ubc.ca/thinkingbydesign/files/2016/09/9.22-Meinig-Beholding-Eye-1.pdf

Mesch, C (2013) Art and politics: a small history of art for social change since 1945. London and New York: I.B. Tauris.

MET (2020) Auguste Salzmann, “Jérusalem, Fontaine Arabe, 2,” The Metropolitan Museum of Art. [online]. Available at: https://www.metmuseum.org/art/collection/search/287044

Michaels, WB (2006) The shape of the signifier: 1967 to the end of history. Princeton: Princeton University Press.

Mills, CW (1956) White collar: the American middle classes. New York: Oxford University Press.

Mitchell, WJ (1994a) Landscape and power. Chicago: University of Chicago Press.

Mitchell, WJ (1994b) The reconfigured eye: visual truth in the post-photographic era. Cambridge: MIT Press.

MoMA learning (nd) “Photography.” [online]. Available at: https://www.moma.org/learn/moma_learning/themes/photography/photography-as-witness/

MOMA (2017) “Insecurities: tracing displacement and shelter,” Museum of Modern Art. [online]. Available at: https://www.moma.org/calendar/exhibitions/1653

Moore, J (2007). “Polarity or integration? Towards a fuller understanding of home and homelessness,” Journal of Architectural and Planning Research, 24(2), p143-159.

Mori Art Museum (2020) “The universe and art” [online]. Available at: http://www.mori.art.museum/english/contents/universe_art/about.html. [Accessed 1 February 2020].

Moyano, M (2019) "Alienation, identity and intercultural working," Radicalisation Awareness Network. [online]. Available at: https://www.researchgate.net/publication/337986217_Alienation_Identity_and_Intercultural_working_Radicalisation_Awareness_Network

Mussomeli, J (2019) “Photography as propaganda,” The Imaginative Conservative. [online]. Available at: ohttps://theimaginativeconservative.org/2019/07/photography-propaganda-joseph-mussomeli.html

Nasa (2009) “Artist rendering of NASA's Dawn spacecraft approaching Mars” [online]. Available at: https://www.jpl.nasa.gov/spaceimages/details.php?id=PIA18152 [Accessed 2 February 2020].

Nasa (2020a) “Blue marble: image of the earth from Apollo 17,” [online]. Available at: https://www.nasa.gov/content/blue-marble-image-of-the-earth-from-apollo-17 [Accessed 2 February 2020].

Nasa (2020b) “James Webb space telescope” [online]. Available at: http://jwst.nasa.gov/about.html. [Accessed 2 February 2020].

Nasa (2020c) “MarCOs, Mars and Earth” [online]. Available at: https://www.jpl.nasa.gov/spaceimages/details.php?id=PIA22316 [Accessed 2 February 2020].

Nasa (2020d)  “Perseverance test rover's first drive” [online]. Available at: https://mars.nasa.gov/resources/25243/perseverance-test-rovers-first-drive/ [Accessed 2 February 2020].

Najjar (M) 2020, Benrubi Gallery, New York City, [online]. Available at: http://benrubigallery.com/artist/191/michael-najjar. [Accessed 2 February 2020].

National Gallery (2016) “Rothko early years” [online]. Available at: https://www.nga.gov/features/mark-rothko/mark-rothko-early-years.html

National Geographic (2020) “Xeriscaping,” National Geographic Society. [online]. Available at: www.nationalgeographic.org › encyclopedia › xeriscaping

NBC (2014) “Color controversies started with Mars,” NBC Newswww.nbcnews.com. [online]. Available at: https://www.nbcnews.com/science/space/color-controversies-started-mars-not-thedress-n314601

Neil, J (2014) “When photographs were round,” Lensgarden. [online]. Available at: https://lensgarden.com/light/when-photographs-were-round/

Nelson, RM, Belkin, P and Mix, DE ( 2011) “Greece's debt crisis: overview, policy responses, and implications,” Congressional Research Service. [online]. Available at: https://fas.org/sgp/crs/row/R41167.pdf; https://www.researchgate.net/publication/235043380_Greece's_Debt_Crisis_Overview_Policy_Responses_and_Implications

Neuralink website  “Approach,” Neuralinkneuralink.com. [online]. Available at: https://neuralink.com/approach/

Nevada Art Museum Collection (2017) “The altered landscape: selections from the Carol Franc Buck altered landscape photography collection” [online]. Available at: https://www.nevadaart.org/exhibition/altered-landscape-photography/

Newhall, B (1994) The history of photography: from 1839 to the present, 5th edn. New York: Museum of Modern Art.

Newsom, BY and Silver, AZ (eds.) (1978) The art museum as educator: a collection of studies as guides to practice, Council on Museums and Education in the Visual Arts. Berkeley: University of California Press.

NGA (2016) “Mark Rothko: early years,” National Gallery of Art. [online]. Available at: https://www.nga.gov/features/mark-rothko/mark-rothko-early-years.html

Nicholson, V (2005) Among the bohemians: experiments in living 1900-1939. New York: Harper Collins.

Nietzsche, F (1990) Beyond good and evil: prelude to a philosophy of the future, Hollingdale, RJ (trans.). New York: Penguin Books.

Norberg-Schulz (C) 1980, Genius loci: towards a phenomenology of architecture. New York: Rizzoli

NPPA (2020) “Code of ethics,” National Press Photographers. [online]. Available at https://nppa.org/code-ethics

NPS (2017) “Theodore Roosevelt and conservation,” National Park Service. [online]. Available at: www.nps.gov

Nunez, C (2019) “What is global warming, facts and information?” www.nationalgeographic.com. [online]. Available at: https://www.nationalgeographic.com/environment/global-warming/global-warming-overview/

Oberg, K (2009) Culture shock and the problem of adjustment to the new cultural environments, World Wide Classroom Consortium for International Education & Multicultural studies.

O’Hagan, S (2010) “New topographics: photographs that find beauty in the banal” [online]. Available at: http://www.theguardian.com/artanddesign/2010/feb/08/new-topographics-photographs-american-landscapes.

O’Hagan, S (2011) “Why you are the future of photography” [online]. Available at: https://www.theguardian.com/artanddesign/2011/jul/13/from-here-on-photography-exhibition-arles[Accessed 2 January 2019].

Olwig KR (2019) The meanings of landscape: essays on place, space, environment and justice. Abingdon, Oxfordshire, Routledge.

O’Neill, C (2012) “What's the landscape of modern landscape photography?” The Picture Show, Photo Stories from NPR, Daily Picture Show. [online]. Available at: https://www.npr.org/sections/pictureshow/2012/11/08/164726373/whats-the-landscape-of-modern-landscape-photography

Onetto, PD (2003) “A critical reading of Walter Benjamin´s ‘the work of art in the age of mechanical reproduction,’” https://www.gewebe.com.br/pdf/critical.pdf

Over, H (2016) “The origins of belonging: social motivation in infants and young children,” Philos Trans R Soc Lond B Biol Sci, 371 (1686). [online]. Available at: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4685518/

Özden, C, Packard, M and Wagner, M (2017) “International migration and wages,” Revue d'économie du développement, 25(3-4), 93-133. [online]. Available at: https://www.cairn.info/revue-d-economie-du-developpement-2017-3-page-93.htm

Pappas, N (2020) “Plato's aesthetics,” Stanford Encyclopedia of Philosophy. [online]. Available at: https://plato.stanford.edu/entries/plato-aesthetics/

Pedersen, P (1995) the five stages of culture shock: critical incidents around the world. London: Greenwood Press.

Peirce, CS (1992) The Peirce: Selected philosophical writings, Houser, N and Kloesel, C (eds.), Indiana University Press, Bloomington.

Petridis, P (2010) “Notes at the edge of the landscape,” doctoral dissertation, University of Sunderland, Sunderland, UK.

Pew research org (2017) “New foreign student enrollment at U.S. colleges and universities doubled since great recession,” https://www.pewresearch.org/fact-tank/2017/11/20/new-us-foreign-student-enrollment-doubled-since-great-recession/

Phillips, J (2012) Collecting contemporary photography. New York: Thames & Hudson.

Tate org “Photo-Secession,” Art Term, Tate Gallery, London. [online]. Available at: https://www.tate.org.uk/art/art-terms/t/photo secession#:~:text=Group%20of%20American%20photographers%20who,modernist%20secession%20movements%20in%20Europe

Plato 386 (nd) Meno. [online]. Available at: https://www.gutenberg.org/files/1643/1643-h/1643-h.htm

Poivert, M (2009) “Degenerate photography? French pictorialism and the aesthetics of optical aberration,” Goidell, H (trans.), Etudes photographiques, no. 23. [online]. Available at: https://journals.openedition.org/etudesphotographiques/3429

Presbytero, A (2016) “Culture shock and reverse culture shock: the moderating role of cultural intelligence in international students’ adaptation,” International Journal of Intercultural Relations, 53, 28-38. [online]. Available at: https://www.sciencedirect.com/science/article/abs/pii/S0147176716300712

Proshansky, H-M, Fabian, A-K and Kaminoff, R (1983) “Place-identity: physical world socialization of the self,” Journal of Environmental Psychology 3(1), p57–83.

Purbric (2020) “How many expats are there,” The expat survey.com. [online]. Available at: https://www.theexpatsurvey.com/how-many-expats-are-there/

Rabaté, J-M (ed.) (1997) Writing the image after Roland Barthes. Philadelphia: University of Pennsylvania Press.

Ralph, D and Staeheli, L (2011) “Home and migration: mobilities, belongings and identities,” Geography Compass, 5(7), p.517-530. [online]. Available at: http://dx.doi.org/10.1111/j.1749-8198.2011.00434.x

Rancière, J (2010) DISSENSUS on politics and aesthetics, Jacques Ranciere Corcoran, S (ed. and trans.). London: Bloomsbury.

Raymond, CM, Kyttä, M and Stedman, R (2017) “Sense of place, fast and slow: the potential contributions of affordance theory to sense of place,” Front. Psychol.,29 Sept. [online]. Available at: https://www.frontiersin.org/articles/10.3389/fpsyg.2017.01674/full

Relph, EC (1976) Place and placelessness. London: Sage.

Relph, E (1997) “Sense of Place,” in Hanson, S, (ed.), ten geographical ideas that have changed the world, Rutgers University Press, New Brunswick, NJ.

Relph, E (2007) “Spirit of place and sense of place in virtual realities,” in Techne, special edition on Real and Virtual Places, Champion, E. (ed.), 32-48

Relph, E (2008a[O53] ) “Coping with social and environmental challenges through a pragmatic approach to place,” in Eyles, J, and Williams, A, (eds.), Sense of Place, Health, and Quality of Life, Ashgate, Aldershot[O54] , UK.

Relph, E (2008b) “A pragmatic sense of place” in Vanclay, F., Higgins, M., and Blackshaw, A. (eds,), Making Sense of Place: Exploring Concepts and Expressions of Place through Different Senses and Lenses, National Museum of Australia, Canberra.

Relph, E (2016) “The paradox of place and the evolution of placelessness, ” Freestone, R and Liu, E, in Place and placelessness revisited, Routledge.

Relph, E (2020) “Placeness, Place, Placelessness.” [online]. Available at: https://www.placeness.com/

Riley. CA (1995) Color codes: modern theories of color in philosophy, painting and architecture, literature, music, and psychology. Hanover, NH: University Press of New England.

Robinson, GM in A Dictionary of Geography (4 ed.) Susan Mayhew Publisher: Oxford University Press  (2006) “Sense of place,” Oxford Reference. [online]. Available at: https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100454793

Roe, M and Taylor, K (eds.) (2014) New cultural landscapes.  Abingdon, UK: Routledge.

Rosler, M (2004) “Post Documentary, Post Photography”? in Decoys and Disruptions: Selected Writings, 1975-2001. Cambridge: MIT Press.

Rosnay, M D de and Langlais, P-C (2017) “Public artworks and the freedom of panorama controversy: a case of Wikimedia influence.” [online]. Available at: https://policyreview.info/articles/analysis/public-artworks-and-freedom-panorama-controversy-case-wikimedia-influence

Ruggof, R (2018) “Andreas Gursky: ‘I pursue one goal—the encyclopaedia of life,’”Hayward Gallery. [online]. Available at: https://www.christies.com/features/Andreas-Gursky-at-the-Hayward-Gallery-8861-3.aspx

Ryall, E, Russell, W and MacLean, M (eds.) (2013) The philosophy of play. New York: Routledge.

SAAM (nd) “Gates of Yosemite,” Smithsonian American Museum. [online]. Available at: https://americanart.si.edu/artwork/gates-yosemite-75432

Sagan, C (1961) “The planet Venus,” Science, 133, p58.

Salmose, N (2014) “Reading nostalgia: textual memory in The Great Gatsby, F. Scott Fitzgerald Review, 12(1), p67-87.

Salvesen, B and Nordstrom, A (2010) New topographics. New York: Steidl

Samalavicious, AL (2012) “Spirit of place in the Christian Norberg-Schulz' phenomenology of architecture. [online]. Available at: https://www.researchgate.net/publication/293186949_Spirit_of_place_in_the_Christian_Norberg-Schulz'_phenomenology_of_architecture

Schaar, M (2013) Stout and the psychological origins of analytic philosophy. Palgrave[O60]  MacMillan.

Schama, S (1995) Landscape and memory. New York: Random House

Scharf, A (1968) Art and photography. London: Allen Lane. 

Schutte, V (2016) “The effectiveness of a cross-cultural training programme on expatriate adjustment,” Master of Commerce dissertation, University of South Africa.

Seamon, D and Sowers, J (2008) in Hubbard, P, Kitchin, R and Gill Valentine, G, (eds.), Key texts in human geography place and placelessness. Sage Available at: <http://www.doi.org/10.4135/9781446213742.n6> [Accessed 5 Feb 2021]

Seamon, D (2000) “Phenomenology, place, environment, and architecture: a review,” Phenomenology Online, 36. [online]. Available at: http://www.environment.gen.tr/environmentand-architecture/113-phenomenology-place-environment-architecture-a-review-of-theliterature.html

Seesox (2017) “Diaspora and development: the case of Greece May 2017,” Diaspora and development: the case of Greece, the Greek Diaspora project at SEESOX Workshop Report. [online]. Available at: https://www.sant.ox.ac.uk/sites/default/files/greek_diaspora_project_-ws_report_v4.pdf

SGR (2017) School of Graduate Research, 2017 Milestone Review, Ioannis Galanopoulos Papavasileiou.

Shawcross, N (1997) Roland Barthes and photography: the critical tradition in perspective. Gainesville: University Press of Florida.

Shim, C and Santos, CA (2011) “Urban tourism: placelessness and placeness in shopping complexes,” 2011 ttra International Conferences. [online]. Available at: https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1703&context=ttra

Shore, R (2014) Post photography: the artist with a camera. London: Laurence King Publishing.

Sinclair, U (1936) Oxford English dictionary, 3rd ed. [online]. Available [O67] at: [O68] 

Skoufias (E) 2006, “Narratives in landscape photography: the narrative.” PhD dissertation, Westminster University.

Sleeth, M (2018) “Representation and reproduction: a love story,” PhD dissertation, RMIT University, Melbourne.

Smaldone, D, Harris, C and Sanyal (N) 2005, “An exploration of place as a process: the case of Jackson Hole, WY,” Journal of Environmental Psychology, 25 (4), p397-414. [online]. Available at: https://www.researchgate.net/publication/237950627_An_exploration_of_place_as_a_process_The_case_of_Jackson_Hole_WY

Smith, O (2019) “Introduction: photography and landscape,” p137-142. [online]. Available at: https://doi.org/10.1080/17540763.2019.1603837

Smithson, R (1996) Robert Smithson: the collected writings, Flam, J (ed.). Berkeley: University of California Press. https://www.scribd.com/document/373148242/Robert-Smithson-Robert-Smithson-the-Collected-Writings; https://www.amazon.com/Robert-Smithson-Collected-Writings/dp/0520203852

Soini, K (2004) Between insideness and outsideness: studying locals’ perceptions of landscape, in Palang, H, Sooväli, H, Antrop, M and Setten, G (eds.), European rural landscapes: persistence and change in a globalising environment. Dordrecht: Springer. [online]. Available at: https://doi.org/10.1007/978-0-306-48512-1_5

Solnit, R (2003) As Eve said to the serpent: on landscape, gender and art. Athens: Georgia University Press.

Somin, I (2019) “How foot voting enhances political freedom.” [online]. Available at: https://digital.sandiego.edu/cgi/viewcontent.cgi?article=3154&context=sdlr

Sontag, S (1977) On photography. New York: Dell Pub. Co.

Soutter, L (2013) Why art photography? Routledge: Abingdon OX14 4RN

Spasova, Z (2011) “The effect of weather and its changes on emotional state – individual characteristics that make us vulnerable,” National Center of Public Health and Analyses, Sofia, Bulgaria, Published: 27 March 2012. [online]. Available at: https://ui.adsabs.harvard.edu/abs/2011AdSR....6..281S/abstract

Spunta, M and Benci, J (eds.), Luigi Ghirri and the photography of place: interdisciplinary perspectives. Oxford: Peter Lang.

Steadman (RC) 2003, “Sense of place and forest science: toward a program of quantitative research.” [online]. Available at: https://tot.unm.edu/assets/docs/stedman2003_sop_forsci.pdf

Stern, A (2017) “Sense of place, sense of self,” doctoral dissertation, Saybrook University, Oakland, CA. [online]. Available at: https://www.inspiringspace.com/wp-content/uploads/2018/02/Stern-Allison-Dissertation08162017.pdf

Stieglitz, A (2000) On photography “equivalent H5”: Selected Essays and Notes. New York: Aperture.

Sturken, M and Cartwright, L (2009) Practices of looking. New York: Oxford University Press.

Swaffield, SR (1991) “Roles and meanings of ‘landscape,’” doctoral dissertation, Lincoln University, Lincoln, UK.

Szarkowski, J (1964) The photographer’s eye: “the thing itself, the detail, the frame, time and the vantage point.” New York: MoMA, 1966, 1980, 2007, 2009.

Szarkowski, J (1976) William Eggleston's guide. New York: The Museum of Modern Art

Szarkowski, J (1978) Mirrors and windows: American photography since 1960. New York: Museum of Modern Art.

Taylor, K (2008) “Landscape and memory: cultural landscapes, intangible values and some thoughts on Asia” [online]. Available at: https://www.semanticscholar.org/paper/Landscape-and-Memory%3A-cultural-landscapes%2C-values-Taylor/2e8148eeeeca2661a1d6cce74e6dc75940d349ef

The National (2020a) “A glimmer of Guggenheim Abu Dhabi’s contemporary art” [online]. Available at: http://www.thenational.ae/arts-culture/art/a-glimmer-of-guggenheim-abu-dhabis-contemporary-art. [Accessed: 1 February 2020].

The National (2020b) “The wonder that lies within Yayoi Kusama’s infinity mirrored room” [online]. Available at: http://www.thenational.ae/arts-lifestyle/art/guggenheim-abu-dhabis-seeing-through-light-exhibition-extended-until-march. [Accessed 2 February 2020].

Thomas Hirschhorn World Airport (1999) [online]. Available at: https://renaissancesociety.org/exhibitions/418/thomas-hirschhorn-world-airport/

Thorne, K (2015) “The science of interstellar room” [online]. Available at: https://www.youtube.com/watch?v=u_Xxz8d3VYo [Accessed 2 February 2020].

Tilley, C and Cameron-Daum, K (2017) Anthropology of landscape: the extraordinary in the ordinary. London: UCL Press.

Tongson, K (2011) Relocations: queer suburban imaginaries. New York: New York University Press

Tuan, Y-F (1979) Space and place: the perspective of experience. Minneapolis: University of Minnesota Press.

Tuan, Y-F (1990) Topophilia: a study of environmental perception, attitudes, and values. New York: Columbia University Press

Tuan, Y-F (1996) A cosmopolite’s viewpoint: cosmos and hearth. Minneapolis: University of Minnesota Press.

Tuan, Y-F (1997) Space and place. Minneapolis: University of Minnesota Press.

Tuan,Y- F (1999) Cosmos and hearth, a cosmopolite’s viewpoint. Minneapolis: University of Minnesota Press.

Tuan, Y-F (2009) Religion: from place to placelessness, Chicago: University of Chicago Press.

Üngür, E (2015) “Contradiction and ambiguity in non-place: non place as a transitional spatial concept,” in Breslow, H and Ziethen, A (eds.), Beyond the postmodern: space and place for the early 21st century[O75] . Inter-Disciplinary Press, p41-60.

Valentine, E (2001) “G.F Stout’s Philosophical Psychology,” in Albertazzi, L. (ed.), The dawn of cognitive science: early European contributors[O76] . Kluwer Academic, p209-223.

Van Duzer, C (2013). Sea Monsters on Medieval and Renaissance Maps. London: British Library Publishing.

Van Manen, M (2007) “Phenomenology & practice,” Phenomenology and Practice, 1 (1), p11-30. 

Vertovec, S (2002) “Transnational networks and skilled labour migration,” in Ladenburger Diskurs “Migration” Gottlieb Daimler- und Karl Benz-Stiftung, Ladenburg, 1-20.

Vidler, A (1992) The architectural uncanny essays in the modern unhomely. Cambridge: MIT Press.

Vinegar, A (2009a) “Ed Ruscha, Heidegger, and deadpan photography.” [online]. Available at: https://doi.org/10.1111/j.1467-8365.2009.00708.x

Vinegar, A (2009b) “Ed Ruscha, Heidegger, and deadpan photography,” Art History, 32 (5), 852–873.

Vinegar, A and Golec, MJ (eds.) (2009) Relearning from Las Vegas. Minneapolis:  University of Minnesota Press.

Wadsworth org (2012) “Albert Bierstadt (American, 1830-1902),” in the mountains, 1867,” Wadsworth Athenaeum Museum. [online]. Available at: https://www.thewadsworth.org/wp-content/uploads/2012/09/Teacher-Resource-Bierstadt_08.02.12_HiRes.pdf

Wadsworth org (2021) “Hudson River school,” Wadsworth Athenaeum Museum. [online]. Available at: https://www.thewadsworth.org/collection/hudson-river-school/

Walker, A (2011) “What is bohemian?” Radio 4 BBC [online]. Available at: https://www.bbc.com/news/magazine-12711181

Warner, M (2015) Photography: a cultural history, 4th ed. Upper Saddle River, NJ: Pearson.

Weibel, P (2005) “A comparative study in cultures, art and science in 20th century Austria and Hungary,” in Beyond Art: A Third Culture. Springer[O78] [O79] .

Wells, L (2009) Photography: a critical introduction 4th ed. Routledge.

Wells, L (2011) Land matters: landscape photography, culture and identity. London: Bloomsbury Academic.

Whipple, JA (2020) “Cornelius Conway Felton with his hat,” The Met. [online]. Available at: https://www.metmuseum.org/art/collection/search/282046

WHO (2020) “COVID-19 worldwide dashboard - WHO live world statistics,” covid19.who.int/coronavirus/world_dashboard. [online]. Available at: https://covid19.who.int/?gclid=Cj0KCQiAuJb_BRDJARIsAKkycUnz1hO18UrKN5qigyw8s5ibsCZ5CSQP47_WDQ-cvjMagx4tF24IUwYaAvLWEALw_wcB

WHR (2019) “World happiness report.” [online]. Available at: https://worldhappiness.report/ed/2019/changing-world-happiness/

Wikipedia (2020) “NASA” [online]. Available at: https://en.wikipedia.org/wiki/NASA; at: http://www.nasa.gov/mission_pages/mars/missions/index.html. [Accessed 1 February 2020].

Willette, J (2014) “Frederic Jameson and postmodernity, part two,” arthistoryunstuffed.com. [online]. Available at: https://arthistoryunstuffed.com/frederic-jameson-postmodernity-part-two/

Wilson, H (2017) “The theatricality of the punctum: re-viewing Camera Lucida,”Performance Philosophy, 3(1), p266. [online]. Available at: https://www.researchgate.net/publication/317886166_The_Theatricality_of_the_Punctum_Re-Viewing_Camera_Lucida

Wong Hulbert, T (2017) “Belonging and the transient home: a socially engaged art project,” International Journal of Practice Based Humanities, 2(1). [online]. Available at: www.pbhjournal.net

Wylie JW ( 2007) Landscape. London: Routledge.

Yale ( 2017) “Artists in exile: expressions of loss and hope,” Yale Art Gallery. [online]. Available at: https://artgallery.yale.edu/press-release/artists-exile-expressions-loss-and-hope